We were asked by David J. Brown to perform an action at the opening of
his exhibition, In Memory of Cynthia, at Old Dominion University's
gallery in Norfolk, Virginia.
According to Dave, the group exhibition was conceived "after a funny
story that [he] read about a DC arts patron hitting the wrong switch on
her wheelchair that caused her to plummet off the side of a cliff in the
Italian countryside. Her chauffeur, whose English was rather poor, said
that she yelled either, 'Help me, you idiot!' or 'God save Washington art!'"
WoM was born after hearing about the show's premise. The wheel--covered
in a helix of protruding nails, the iconography of catastrophe and
festooned with doll heads on the spokes' tips--was mounted on the
storefront gallery's fa?ade for the performance. It was kept there for
the exhibition's duration so passers-by could spin it. The opening
performance format was that of a game show or sideshow and featured Lynn
as wheel spinner Vanna Blight and Jared as the barker who invited
attendees to spin the wheel to determine their misfortunes and those of
their loved ones. A sound track called the audience out to the
performance and provided suspense as the wheel turned.
It was one of the first projects Peter Winant chimed in on, mostly
working on the wheel itself. We converted a front auto wheel to get the
spin and used lead shields to ratchet the whole thing to the wall above
the front door of the gallery....a spinning wheel of potential death.
Peter had told Jared that the lead shields would only take just so much
torque, as they were held into a slightly crumbly wall. Of course, that
meant he would spin the wheel all the harder. No one died that night,
but it wasn't for a lack of trying.
The success of this performance laid the foundation for the following
year's invitation to perform God Is My Point Man.